Miami 2017

I thought it was going to be science-fiction.

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nofreedomlove:

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"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

(via philfiki)

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Originally, in the 20s and 30s, the stereotype of someone who was schizophrenic was the housewife who was sad and withdrawn, and would not do her duties as a housewife; would not do the housework. This was the typical case of schizophrenia. And then, in the 60s, something shifted. The actual criteria for schizophrenia shifted. A lot of psychiatrists and hospitals and police were encountering young, angry black men who were part of the civil rights movement. Who were part of the riots – the uprisings – in the Black Power movement. Who were angry. Who were perceiving a conspiracy of power against them, that was called paranoia. They would see it is white privilege, but it was called paranoia. And so we actually see the diagnostic criteria for schizophrenia change. So now you have anger and paranoia and hostility being included as criteria, whereas 30 years before they hadn’t been. Because the stereotype has changed. So there’s a way in which the DSM and the perspectives of the psychiatrists and the doctors who were giving these diagnoses is thoroughly politically constructed, and thoroughly dependent on the culture and context that they’re within.

Will Hall at Unitarian Church Vancouver Canada March 2012 - Transcript | Madness Radio (via blinko)

for anyone interested in reading more about how schizophrenia moved from being a diagnosis assigned to white, middle-class women to one used to pathologize and institutionalize noncompliant black men in the 1960s, jonathan metzl’s the protest psychosis: how schizophrenia became a black disease is a good place to start. i have a PDF scan of it, too — just ask.

(via onegirlrhumba)

(via philfiki)